Who Gots the Funk?
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Faces of the Night is classic neo-hippie, absurdist indie folk, channeling Deerhoof and The Unicorns, confusing and abstract.
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They might claim to be from Champaign, Illinois, but Headlights sure do sound like they’re from Montreal.
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In Field & Town sounds like the defiance of a man who is doing his best to polish the turd that life has left him.
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Much debate surrounds the moment that gave birth to post-rock.
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May they continue to wear their heart on their sleeve.
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Ask yourself if you have the stomach for this, and be honest; it will save you some time and save us your bitching.
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El Guincho. The Spanish Panda Bear. Or so they say.
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Sometimes, isn’t the best antidote some good, solid rock ‘n’ roll?
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Come Into My House can at times seem like listening to new music from old favourites.
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Instead of being a mountain-top proclamation of finding love, Beach House paint a delicate and intimate picture of a special relationship.
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In many ways Make Amends for we are Merely Vessels is a microcosm for the post-rock genre as a whole.
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